Genre : Symphonic Black Metal

Release : 2017 (Deluxe Digibox Edition)

Album Info / Review

Intro:
The shadows lengthen and the macabre theatre of Dutch symphonic black metal titans Carach Angren returns with “Dance And Laugh Amongst The Rotten.” Emerging from the crypts of Napalm Records, this album is not merely a collection of songs, but a meticulously crafted descent into a chilling narrative, weaving tales of spectral waltzes, haunted carnivals, and the lingering echoes of the damned. The band, known for their theatricality and dark storytelling, unleashes a sonic tapestry that is both opulent and unsettling, painting vivid pictures with every crescendo and chilling whisper. This is not background music; it demands an audience, a willingness to be drawn into their macabre vision.

Track Analysis:
“Opening” sets the stage with a haunting, almost music-box-like melody, quickly giving way to a martial drum beat and a sinister, spoken-word introduction that immediately plunges the listener into the album’s thematic core. It’s a prelude of dread, a summoning of the spectral entities that will populate the following tracks.

“Charlie” launches into a furious blast of symphonic black metal. The tremolo-picked guitars are razor-sharp, underpinned by blast beats that feel like a panicked heart. The keyboards are not merely decorative; they are integral, weaving a melodic counterpoint that evokes a sense of deranged revelry, a carnival gone horribly wrong. The vocal delivery shifts between guttural shrieks and a more theatrical, almost operatic narration, painting the portrait of a malevolent entity.

“Pitch Black Box” maintains the aggressive momentum, but introduces a more pronounced gothic influence. The keyboards here are grand and mournful, reminiscent of a haunted ballroom. The interplay between the harsh vocals and the cleaner, more melodic passages creates a powerful dynamic, mirroring the duality of terror and morbid fascination.

“Carrousel” is a masterclass in atmospheric storytelling. The track begins with a disquieting carousel melody, gradually building with orchestral elements and a driving rhythm. The lyrics, delivered with a chilling sincerity, tell a story of eternal, maddening rotation, a cyclical torment. The guitar solo is not just technically proficient, but emotionally charged, adding a layer of despair to the already bleak soundscape.

“A Beggar at the Feast” offers a slight shift in tempo, leaning into a more mid-paced, almost doom-laden atmosphere. The keyboards here are more subdued, focusing on creating an oppressive sonic weight. The vocal performance is particularly raw and desperate, conveying the agony of exclusion and suffering.

“General” showcases the band’s ability to blend brutal aggression with sophisticated symphonic arrangements. The orchestral swells are powerful and cinematic, contrasting sharply with the raw ferocity of the black metal core. This track feels like a grand, tragic battlefield, filled with the cries of the fallen.

“The Periwinkle” is an unexpected detour, featuring a more melodic and almost melancholic piano introduction before erupting into their signature sound. This track highlights the band’s versatility, demonstrating their ability to craft emotionally resonant passages within their extreme framework.

“Death Wish Grants” returns to the aggressive, symphonic onslaught. The keyboards are again prominent, adding a sense of grandeur and impending doom. The vocal performance is particularly vicious, and the drumming is relentless, driving the track forward with unyielding force.

“The Haunted Diadem” is an instrumental piece that serves as a sonic interlude, a moment of eerie calm before the final descent. The keyboards create a sense of ancient mystery and spectral presence, with subtle orchestral touches adding to the unsettling atmosphere.

“In the Deep of the Woods” concludes the album with a sprawling epic. It combines elements from throughout the album: the aggression, the symphonic grandeur, the theatrical narration, and the underlying sense of dread. The track builds to a powerful climax, leaving the listener with a lingering sense of unease and a profound immersion in Carach Angren’s dark world.

Conclusion:
“Dance And Laugh Amongst The Rotten” is a triumphant testament to Carach Angren’s mastery of symphonic black metal. They have not only refined their signature sound but have elevated their storytelling to new heights. The album is a cohesive, thematic journey, each track meticulously crafted to contribute to the overarching narrative of macabre festivity and eternal torment. The production is crystal clear, allowing every nuance of the intricate arrangements to shine through. This is an album that rewards repeated listens, revealing new layers of sonic detail and lyrical depth with each encounter. Carach Angren has delivered a masterpiece of modern extreme metal, a chillingly beautiful and utterly captivating experience.

Rating: 9.5/10

Highlight Track: “Carrousel”

Genre : Symphonic Black Metal

Release : 2010 ( Reissue 2013)

Album Info / Review

Intro:
The Netherlandish symphonic black metal outfit Carach Angren returns, this time casting their spectral gaze upon the maritime horrors of the afterlife with “Death Came Through A Phantom Ship.” This concept album plunges listeners into a churning abyss of spectral sailors, cursed voyages, and the inevitable embrace of the deep, all rendered with the band’s signature theatricality and grim narrative prowess. Emerging from the murky depths of their previous works, this album promises a chilling expedition into the unknown, where fog-shrouded decks and the mournful cries of the damned are brought to visceral life through their meticulously crafted soundscape.

Track Analysis:
“Ghost of the Navigator” opens the album with an immediate sense of dread. A discordant, almost sea-shanty-esque piano melody, drenched in reverb, sets a somber, foreboding tone before erupting into a tempest of blast beats and searing tremolo-picked riffs. Dennis “Seregor” Houtsma’s rasping vocals paint a picture of a spectral captain, his voice echoing with the weight of eternal torment. The symphonic elements are not mere embellishments here, but integral to the narrative, weaving in chilling choral passages and the mournful wail of a distant foghorn.

“The Corpse of the Ocean” maintains the relentless pace, introducing a more aggressive, almost thrash-like riffing style. The interplay between the raw aggression of the guitars and the sweeping, operatic orchestral arrangements creates a dynamic tension, mirroring the chaotic nature of a storm-tossed sea. The drumming is particularly ferocious, a relentless barrage that drives the song forward with unyielding force.

“Liar in the Deep” offers a slight reprieve in tempo, allowing for a more atmospheric and melancholic exploration. A haunting clean guitar melody, reminiscent of a siren’s call, emerges from the sonic maelstrom, juxtaposed with Seregor’s venomous declarations. The orchestral swells are more subdued, adding layers of sorrow and regret rather than outright terror.

“The Necromancer’s Hull” sees the band at their most overtly theatrical. A spoken-word passage, delivered with chilling gravitas, sets the stage for a dramatic crescendo of symphonic bombast. The riffs become more complex and angular, and the vocal delivery shifts between guttural roars and chilling whispers. The integration of what sounds like creaking ship timbers and distant, spectral whispers further enhances the immersive quality of the track.

“Captain’s Curse” is a mid-album highlight, a multi-faceted beast that shifts through various sonic landscapes. It begins with a grim, mid-tempo march, building to a furious black metal onslaught, before descending into a haunting, piano-driven interlude that evokes the desolate solitude of the open sea. The vocal performance is particularly impressive, showcasing a wider range of aggression and despair.

“Death Came Through a Phantom Ship” itself is an epic centerpiece. This track is a sprawling narrative, replete with dramatic shifts in tempo and mood. The symphonic arrangements are at their most ambitious here, incorporating full orchestral movements that swell and recede like the tides. The guitar solos are not merely shredding displays, but carefully composed melodic lines that add to the emotional weight of the song.

“The Ship of Ghosts” brings a return to a more straightforward, albeit still intensely atmospheric, black metal attack. The riffs are sharp and biting, and the blast beats are relentless. The symphonic elements here serve to underscore the relentless pursuit of the spectral vessel, adding a sense of urgency and impending doom.

“A Lighthouse in the Mist” offers a brief, almost ethereal interlude. Delicate piano melodies and atmospheric synths create a sense of fragile hope, quickly shattered by the return of Seregor’s venomous snarl and the re-emergence of the aggressive instrumentation.

“The Grim Sailors” is a powerful and aggressive closer. The band unleashes a final torrent of blast beats and furious riffing, punctuated by chilling vocalizations that sound like the desperate cries of the damned. The symphonic elements are used to their full effect, creating a sense of overwhelming finality and eternal damnation.

Conclusion:
“Death Came Through A Phantom Ship” is a masterful work of thematic black metal. Carach Angren has once again proven their ability to weave compelling narratives through their music, crafting an album that is as musically engaging as it is conceptually rich. The integration of symphonic elements is seamless, enhancing the atmosphere and emotional impact without ever feeling gratuitous. The band’s commitment to their chosen narrative is unwavering, resulting in a cohesive and immersive listening experience that transports the listener to the heart of their spectral maritime tragedy. This is an album that demands repeated listens, each revealing new layers of sonic detail and narrative depth.

Rating: 9.5/10

Highlight Track: Captain’s Curse

Genre : Symphonic Black Metal

Release : 2020

Album Info / Review

Intro:
The Dutch symphonic black metal outfit Carach Angren returns with their seventh full-length offering, “Franckensteina Strataemontanus,” a concept album delving into the macabre and ethically ambiguous experiments of Dr. Victor Frankenstein. Emerging from the shadows of their previous narrative explorations, this album plunges listeners into a chilling abyss of scientific hubris and existential dread, weaving a tapestry of orchestral grandeur and raw, unbridled aggression. The thematic weight of the album is palpable from the outset, promising a journey through the darkest corners of human ambition and the monstrous consequences that inevitably follow.

Track Analysis:
1. **”The Profane Narratives”**: The album opens with an unsettling, almost theatrical spoken-word intro, laying the groundwork for the grim narrative. This segues into a blast-beat driven onslaught, punctuated by piercing shrieks and a surprisingly melodic, yet sinister, violin melody. The juxtaposition of relentless brutality and melancholic instrumentation sets a potent precedent.

2. **”Operation: Quantum Lock”**: This track showcases Carach Angren’s signature blend of symphonic flourishes and black metal ferocity. The orchestral arrangements are not mere embellishments; they act as integral melodic counterpoints to the searing guitars and guttural vocals. The tempo shifts are dynamic, moving from a mid-paced, almost march-like section to bursts of frenetic energy.

3. **”Kindred of the Dead”**: A more atmospheric track, beginning with a haunting piano melody before erupting into a wall of sound. The vocals here are particularly venomous, conveying a profound sense of despair and rage. The violin returns, this time with a more aggressive, sawing quality that amplifies the sense of torment.

4. **”Cybernetic Nemesis”**: This song leans heavily into the technological and monstrous aspects of the Frankenstein mythos. Electronic elements are subtly woven into the symphonic framework, creating a futuristic, yet decaying, soundscape. The guitar work is sharp and precise, reminiscent of surgical instruments, while the drumming is a relentless, mechanical pulse.

5. **”The Living Machine”**: A standout track that embodies the album’s core concept. The symphonic elements are at their most opulent here, creating a grand, yet unsettling, backdrop for the narrative. The vocal delivery is varied, incorporating spoken word passages that directly address the creation, adding a layer of dramatic intensity. The guitar solo is a virtuosic display of technicality and raw emotion.

6. **”An Impudence to the Holy Books”**: This track is a direct confrontation with the blasphemous nature of Frankenstein’s work. The black metal elements are pushed to the forefront, with a raw, distorted guitar tone and blast beats that feel like a relentless assault. The orchestral passages are more dissonant and foreboding, reflecting the sacrilege being depicted.

7. **”Nameless Scientist”**: A slower, more brooding track that explores the psychological toll on the creator. The atmosphere is thick with dread, and the violin melody is particularly mournful. The vocals shift between desperate cries and cold, detached pronouncements, mirroring the internal conflict of the scientist.

8. **”Hanami”**: An unexpected but effective interlude. This track offers a brief respite from the intensity, featuring a more subdued, almost folk-like melody with a prominent violin. It serves as a moment of reflection before the final descent.

9. **”The Awakening of the Monster”**: The album culminates in a grand, epic finale. This track is a sprawling composition, incorporating all the elements that define Carach Angren. The symphonic arrangements are at their most powerful, building to a crescendo of operatic grandeur. The black metal aggression is still present, but it is now tempered by a sense of tragic inevitability. The final moments are a chilling fade-out, leaving the listener with a profound sense of unease.

Conclusion:
“Franckensteina Strataemontanus” is a masterclass in thematic concept albums within the symphonic black metal genre. Carach Angren has meticulously crafted a narrative that is both intellectually engaging and viscerally impactful. The integration of orchestral elements is seamless, enhancing the aggression and atmosphere rather than detracting from it. The production is crisp and clear, allowing each instrument to breathe while maintaining a cohesive and powerful sound. This album is not merely a collection of songs; it is a meticulously constructed sonic journey into the heart of a classic horror narrative, reimagined with a modern, brutal intensity.

Rating: 9.5/10

Highlight Track: “The Living Machine”

Genre : Symphonic Black Metal

Release : 2008 ( Reissue 2013)

Album Info / Review

Intro:
Carach Angren’s “Lammendam” is not merely an album; it is a meticulously crafted descent into the spectral heart of Dutch folklore. Released in 2008, it stands as a cornerstone of symphonic black metal, eschewing fleeting trends for an enduring narrative woven from chilling melodies and theatrical dread. The album conjures the phantom of the Lammendam, a ghost said to haunt the Dutch countryside, and through its sonic tapestry, Carach Angren invites the listener to bear witness to her tragic, eternal vigil. The production is sharp and clear, allowing each element – the blistering guitars, the pounding drums, the operatic vocals, and the crucial orchestral flourishes – to occupy its distinct space within the sonic architecture. This clarity is vital, as “Lammendam” thrives on the interplay of its diverse components, creating a rich, atmospheric experience that is both aggressive and melancholic.

Track Analysis:
“Opening” immediately sets a somber tone, a mournful orchestral passage that feels like the prelude to a grand, yet sorrowful, opera. It’s a deliberate immersion, preparing the listener for the encroaching darkness.

“Various Tributes to the Lammendam” explodes with a furious tempo, showcasing Seregor’s guttural snarls and Ardek’s venomous keyboard melodies. The symphonic elements are not an afterthought; they are intrinsically linked, providing a counterpoint to the raw aggression. The melodic guitar lines, though brief, possess a haunting quality that lingers.

“In the Dawn of Gloom” shifts gears, embracing a more mid-tempo, brooding atmosphere. The keyboards paint a picture of a desolate landscape, while the drumming provides a steady, relentless march. Seregor’s vocal delivery here is particularly menacing, laced with a palpable sense of despair.

“Coronation” is a majestic, yet unsettling, instrumental. The orchestral arrangements swell, evoking a sense of dark grandeur, as if witnessing a macabre coronation ceremony. The subtle inclusion of choir-like vocals adds to the spectral aura.

“The Endless Interment” returns to a more traditional black metal assault, but the symphonic layer adds a dimension of epic tragedy. The guitar riffs are sharp and biting, complemented by the intricate keyboard work that underscores the lyrical themes of eternal confinement.

“Departure” is a short, atmospheric interlude. A simple, melancholic piano melody accompanied by distant, spectral whispers. It serves as a brief respite before the album’s climax.

“The Black Decree” is a brutal highlight. The tempo is relentless, the blast beats are precise, and the symphonic elements are interwoven with devastating effect. The vocal performance is at its most ferocious, conveying a sense of utter damnation.

“A Tragedy at Dawn” offers a dynamic shift. It begins with a more atmospheric, almost ballad-like passage, before erupting into a furious onslaught. The interplay between the clean, operatic female vocals and Seregor’s harsh growls is particularly striking, creating a dialogue of spectral torment.

“The Lammendam” is the album’s epic centerpiece. It’s a sprawling composition that masterfully blends aggression, melody, and atmosphere. The symphonic orchestrations reach their zenith here, painting a vivid sonic portrait of the Lammendam’s spectral existence. The guitar solos are not flashy but serve the song’s narrative, conveying raw emotion.

“The Death of the Lammendam” concludes the album with a sense of finality, yet tinged with an enduring melancholy. The music slowly fades, leaving a lingering sense of the spectral presence, a haunting echo in the listener’s mind.

Conclusion:
“Lammendam” is a triumph of thematic execution and musical prowess. Carach Angren has not just written songs about a ghost story; they have breathed life into the legend, crafting an auditory experience that is as immersive as it is terrifying. The album’s strength lies in its unwavering commitment to its concept, allowing the symphonic elements to enhance, rather than overshadow, the black metal core. It’s an album that demands repeated listens, each spin revealing new layers of detail and deepening the listener’s connection to the spectral narrative. For fans of atmospheric, narrative-driven black metal with a sophisticated symphonic touch, “Lammendam” remains an essential, chilling masterpiece.

Rating: 9.5/10

Highlight Track: The Lammendam

Genre : Symphonic Black Metal

Release : 2015

Album Info / Review

Intro:
Carach Angren, the Dutch symphonic black metal outfit, has consistently carved a niche for themselves with their theatrical narratives and dark, operatic soundscapes. “This Is No Fairytale,” released in 2014, stands as a pivotal work in their discography, presenting a fully realized concept album that delves into the twisted underbelly of classic fairy tales. Eschewing the typical guttural growls for a more pronounced and varied vocal approach, the band weaves tales of horror and disillusionment through a meticulously crafted sonic tapestry, blending aggressive black metal passages with sweeping orchestral arrangements and chilling spoken-word interludes. This album is not merely a collection of songs; it’s an immersive descent into a macabre carnival of childhood nightmares.

Track Analysis:
“This Is No Fairytale” opens with the eponymous track, a cinematic overture that immediately establishes the album’s dark, unsettling atmosphere. A haunting piano melody, reminiscent of a music box gone awry, is soon joined by ominous strings and a subtle, creeping sense of dread. The transition into the first proper song, “The Butcher,” is abrupt yet effective, unleashing a torrent of blast beats and searing guitar riffs. Dennis “Seregor” Mikkelsen’s vocals here are a potent cocktail of sneering black metal shrieks and more melodic, almost spoken-word pronouncements, painting a vivid picture of a monstrous figure lurking in the shadows.

“Charm of the Devil” is a masterclass in dynamic shifts. It begins with a more restrained, almost melancholic passage, showcasing the band’s ability to craft intricate melodies. However, this vulnerability is shattered by an onslaught of furious drumming and biting guitar work, punctuated by chilling choir-like vocalizations. The interplay between the harshness and the grandeur is a hallmark of Carach Angren’s sound, and it’s particularly potent here.

“Golden Scythe” leans heavily into the symphonic elements. The orchestral arrangements are grand and sweeping, creating a sense of epic tragedy. Mikkelsen’s vocal performance becomes more declamatory, like a sinister narrator recounting a grim fate. The track builds to a powerful crescendo, leaving the listener with a sense of awe and foreboding.

“La Valse Dubois” introduces a distinctly waltz-like rhythm, but it’s a distorted, nightmarish waltz. The violins here are not sweet; they are sharp and dissonant, creating a disorienting yet captivating effect. The spoken-word passages are delivered with a chillingly calm demeanor, further enhancing the unsettling nature of the fairytale being subverted.

“Anatomy of a Murder” is a visceral exploration of violence. The riffs are more aggressive and direct, with a driving force that propels the song forward. The symphonic elements are still present, but they serve to amplify the brutality rather than soften it. The vocal delivery is raw and full of anguish.

“This Is Halloween” is a curious inclusion, a nod to the classic Tim Burton film. While it might seem out of place thematically, Carach Angren injects their signature darkness into the melody, transforming a familiar tune into something far more sinister and menacing. It’s a testament to their ability to twist and reimagine.

“The Rat” returns to a more traditional black metal structure, with relentless drumming and tremolo-picked guitars. The narrative here is one of decay and desperation, conveyed through Mikkelsen’s venomous delivery and the bleak, atmospheric passages.

“Because of You” offers a moment of relative calm, or at least a less overtly aggressive one. The piano returns, but this time with a more mournful, elegiac quality. The vocals are more restrained, showcasing a different facet of Mikkelsen’s range. However, the underlying darkness never truly dissipates.

“A Beggar’s Opera” is a sprawling, epic track that serves as a grand finale. It incorporates elements from throughout the album, weaving together the various sonic threads into a cohesive and powerful conclusion. The orchestral arrangements are at their most elaborate, and the vocal performance is a tour de force, a final, desperate plea or pronouncement. The album closes with a fading echo, leaving a lingering sense of unease.

Conclusion:
“This Is No Fairytale” is a triumph of thematic and sonic cohesion. Carach Angren masterfully blends symphonic grandeur with black metal ferocity, creating an album that is both intellectually stimulating and viscerally impactful. The conceptual framework, subverting familiar fairytales into tales of dread and horror, is executed with precision and artistry. The vocal diversity, the intricate songwriting, and the meticulous production all contribute to an album that is a definitive statement for the band and a compelling listen for any fan of dark, theatrical metal. It’s an album that demands repeated listens to fully unravel its layers of darkness and despair.

Rating: 9.5/10

Highlight Track: The Butcher

Genre : Symphonic Black Metal

Release : 2012

Album Info / Review

Intro:
Carach Angren, the Dutch symphonic black metal outfit, has a knack for crafting narratives that delve into the macabre and the historical, weaving tales of war, hauntings, and the grim realities of existence. “Where The Corpses Sink Forever,” their 2012 offering, is no exception. This album plunges the listener into a chilling, theatrical soundscape, painting vivid sonic pictures of spectral battles and the lingering echoes of death. It’s an album that demands attention, not just for its musicality, but for the immersive, unsettling atmosphere it so expertly conjures.

Track Analysis:
“Autumn Deliverance” opens the album with a somber, almost elegiac piano melody, soon joined by echoing clean vocals that speak of decay and the inevitable march of time. This introspective introduction quickly gives way to a furious blast beat and searing guitar riffs, establishing the album’s signature blend of symphonic grandeur and raw black metal aggression. The transition is seamless, the piano motif reappearing in the background, a haunting counterpoint to the sonic onslaught.

“The Lycanthropic Hallucination” immediately launches into a relentless assault. The drumming is precise and powerful, driving the track forward with a visceral intensity. The vocals, a guttural roar interspersed with chilling clean passages, tell a story of a mind consumed by primal fear and delusion. Orchestral arrangements swell and recede, adding layers of dramatic tension, particularly during the instrumental breaks where violins and choirs evoke a sense of desperate struggle.

“Governors of the Ghost” showcases Carach Angren’s mastery of atmospheric storytelling. The tempo shifts frequently, from galloping black metal passages to slower, more brooding sections. The vocal performance is particularly noteworthy here, shifting between menacing growls and almost spoken-word whispers that paint a picture of spectral authority. The keyboards are employed with surgical precision, conjuring images of ancient halls and spectral figures moving in the shadows.

“Where the Corpses Sink Forever” is the album’s title track and a cornerstone of its thematic core. It begins with a chilling vocal incantation, followed by a crushing, mid-paced riff that feels heavy with despair. The orchestral elements are more prominent here, adding a sweeping, epic quality to the narrative of eternal damnation. The guitar solos are melodic yet savage, cutting through the dense sonic tapestry like shards of ice.

“The Disease Called Man” takes a more direct, aggressive approach. The riffs are sharper, more biting, and the blast beats are more frequent. The lyrical themes of societal decay and human depravity are mirrored in the music’s unyielding ferocity. There are moments of unexpected beauty within the chaos, brief respites of clean guitar melodies that serve to highlight the overwhelming darkness that surrounds them.

“Invisible Spirit” is a masterclass in dynamic contrast. It opens with a haunting, almost ethereal atmosphere, built on arpeggiated guitars and delicate keyboard melodies. This tranquility is shattered by a ferocious black metal attack, the clean vocals and symphonic elements returning to create a powerful juxtaposition. The track builds to a climactic crescendo, leaving the listener breathless.

“The Endless Ways of God” delves into a more melodic and epic territory. The symphonic elements are grand and sweeping, creating a sense of awe and dread. The vocal delivery is powerful and commanding, conveying a sense of cosmic despair. The guitar work is intricate, weaving complex melodies that complement the orchestral arrangements.

“Ashes of the Innocent” is a poignant and brutal track. The lyrics speak of loss and the destruction of purity, and the music reflects this with a raw, emotional intensity. The blast beats are relentless, and the guitar riffs are sharp and unforgiving. Yet, amidst the aggression, there are moments of mournful melody that speak to the tragedy at the heart of the song.

“The Funeral Dirge” serves as the album’s closing statement, a somber and epic farewell. It begins with a mournful, almost funereal orchestral piece, before erupting into a final, powerful black metal onslaught. The track feels like a grand, tragic conclusion, leaving the listener with a lingering sense of unease and the weight of the stories told.

Conclusion:
“Where The Corpses Sink Forever” is a meticulously crafted album that excels in its thematic consistency and sonic execution. Carach Angren has once again proven their ability to blend symphonic elements with aggressive black metal in a way that is both original and impactful. The album’s narrative arc is compelling, drawing the listener into a world of spectral horror and historical tragedy. The musicianship is top-notch, with every element, from the searing guitars and relentless drums to the chilling vocals and evocative keyboards, contributing to the album’s immersive and unsettling atmosphere. This is an album that rewards repeat listens, revealing new layers of detail and thematic depth with each immersion.

Rating: 9.2/10

Highlight Track: The Lycanthropic Hallucination