Origin : Sweden
Genre : Melodic Death Metal
Release : 2002
Album downloads only available to members
Album Info / Review
**Dark Tranquillity – *Damage Done***
*Released 2007, 11 tracks, 50:32 of blissfully dense, sickness‑laden metal*
*On the surface, “Damage Done” feels like a late‑2000s incarnation of that “modern progressive” label Dark Tranquillity has been grouped with for years. Inside, though, the album chooses to revive ‘95‑style melodic death metal atmosphere but dutifully renders it through a polished, almost cinematic lens.*
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### 1. Sound & Atmosphere
The opening riff of the eponymous track slashes into listeners with a desperate, shrieking choir of guitars. Ambient layers sit underneath the chaos: subtle synth pads that bleed like a wet window, zipping over the assault of distorted chords. That blurred line between melody and rupture gives the album its spine‑trembling undertone. Listening in a quiet room, you can almost feel the phasing shift of the 41st track as the guitars switch from swift arpeggios to a thick, low-frequency rumble that wraps the soundstage like a freight‑train pillow.
In the middle of the album—noticeably on “Resonance” and “I, the Silence”—the atmospheric tracking isn’t merely a backdrop; it’s a full-bodied, multi‑dimensional organ that, while remaining behind the drumline, pushes the track’s emotional weight. There’s an eerie sense of calm incarnate which is undercut by the guttural breakdowns. The balance between tritone melodies and those destructive, yawning drops nestles proudly around a sonic framework that feels near‑artistic.
### 2. Riffs & Musicianship
The riffology here is, to put it bluntly, the album’s heartbeat.
– **Vampires of Love** (track 2) opens with a high‑speed, synth‑influenced, ascending chord progression that can only be described as a glitch of the Velvet Revolution. The guitar work is clean yet ferocious; the transitions feel like a morph of shame spiced with darkness.
– **Grandma Czienna** delivers a hard‑hit “classic” riff that wraps around an experienced hour‑long instrumentation, blending grindfeel into a precise gang‑tight simplicity, a veritable “happy hour” for metal die‑hard
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### 3. Production* and Engineering
No doubt a top‑tier sound engineer joined production. TANGER, that contributed to the entire 80‑point:
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