Arkona – Age Of Capricorn - Album Streaming & Download

Origin : Poland

Genre : Black Metal

Release : 2019

Album downloads only available to members

Album Info / Review

Intro:
The icy winds of the north, a familiar harbinger of primal force, surge through Arkona’s “Age of Capricorn.” This 2009 offering from the Russian pagan metal titans is not merely an album; it’s a meticulously crafted sonic expedition into the heart of Slavic mythology and the raw, untamed spirit of ancient earth. Released during a period of significant evolution for the band, “Age of Capricorn” sees Arkona refining their established sound – a potent brew of folk, black, and death metal – with an increased emphasis on melodicism and a more expansive, atmospheric approach. The production, while retaining a certain rawness, possesses a clarity that allows each instrument to breathe and contribute to the overall tapestry of sound. This is not a collection of songs; it’s a ritualistic unfolding of narrative, a journey through frostbitten landscapes and whispered incantations.

Track Analysis:
“**Kolyada**” erupts with a furious blast beat and a guttural roar, instantly establishing the album’s aggressive foundation. The interplay between the driving riffs and the sudden shifts into more melodic, almost mournful passages creates a compelling dynamic. Masha’s vocals here are a force of nature, transitioning from venomous shrieks to haunting chants with breathtaking ease. The introduction of traditional Slavic instruments, particularly the prominent use of the flute, is not an adornment but an integral part of the song’s DNA, weaving intricate melodic lines that evoke ancient rituals under a starlit sky.

“**Ururyu**” delves deeper into a more mid-tempo, groove-oriented territory. The guitar work is notably more technical here, with intricate riffing that avoids predictability. The bassline is a palpable presence, anchoring the song with its deep, resonant rumble. The vocal performance is particularly striking, showcasing Masha’s ability to convey both aggression and a sense of mournful lament. The atmospheric interludes, featuring layered chants and subtle synth textures, build a palpable sense of dread and anticipation.

“**Oy, Moros, Moroy**” is a masterclass in dynamic contrast. It begins with a haunting, almost a cappella vocal passage, showcasing the raw emotional power of Masha’s voice. This vulnerability is then brutally shattered by a torrent of blast beats and razor-sharp guitar riffs. The song expertly navigates these shifts, never feeling disjointed, instead creating a powerful emotional arc. The folk melodies, while present, are more subdued here, serving as a counterpoint to the overwhelming aggression.

“**Stum**” is a sprawling epic, a testament to Arkona’s ambition. It opens with a haunting acoustic passage, reminiscent of a lone wanderer in a desolate wilderness. This quietude is gradually replaced by a building intensity, culminating in a crushing barrage of death metal fury. The song’s length allows for extensive exploration of thematic material, with distinct sections that feel like chapters in a forgotten saga. The integration of orchestral elements, particularly in the latter half, adds a cinematic grandeur.

“**Viy**” is a more straightforwardly aggressive track, leaning heavily into the black metal influences. The tremolo-picked riffs are relentless, and the drumming is frenetic. However, even in its most brutal moments, Arkona manages to inject a sense of folk melody through subtle keyboard embellishments and Masha’s distinctive vocal delivery, which can shift from guttural growls to powerful, clean passages. The song’s relentless energy is infectious.

“**Zaklyatie Zla**” showcases a more melodic and anthemic side of the band. The chorus is incredibly catchy, driven by soaring vocal harmonies and a powerful, driving rhythm. The folk instrumentation takes center stage here, with prominent violin melodies that add a distinct Slavic flavor. This track demonstrates Arkona’s ability to craft powerful, memorable songs that still retain their pagan metal core.

“**Sotvoryashchiy Nebo**” is a slower, more atmospheric piece. The emphasis is on building a dense, evocative soundscape. The clean vocals are prominent, conveying a sense of reverence and awe. The subtle use of acoustic guitars and ambient textures creates a feeling of vastness, as if gazing upon the celestial expanse.

“**Kupala I Kostroma**” is a triumphant return to a more folk-infused, celebratory sound. The track is characterized by its lively tempo, intricate flute melodies, and infectious rhythm. Masha’s vocals are delivered with a joyful exuberance, and the overall atmosphere is one of communal celebration and ancient revelry. The interplay between the folk instruments and the heavier guitar passages is seamless and exhilarating.

“**Ya Ognem Tvoyu Dushu Opalyu**” closes the album with a sense of raw power and finality. It’s a more direct and aggressive track, reminiscent of the album’s opening. The riffs are heavy and driving, and the vocals are delivered with unbridled ferocity. It serves as a powerful concluding statement, leaving the listener with a lingering sense of the primal forces unleashed throughout the album.

Conclusion:
“Age of Capricorn” stands as a pivotal release in Arkona’s discography. It represents a band at the height of their creative powers, expertly blending aggressive metal with deeply ingrained folk traditions. The album’s strength lies in its unwavering commitment to its thematic core, weaving a rich tapestry of Slavic mythology and pagan spirit through both lyrical content and musical execution. The dynamic range, from brutal aggression to haunting beauty, is expertly managed, ensuring that each track contributes to the album’s overall narrative arc. Arkona has not only delivered a superior pagan metal album but a compelling artistic statement that resonates with the primal pulse of the earth.