Origin : Austria
Genre : Black Death Metal
Release : 2017
Album Info / Review
Intro:
Belphegor, the Austrian purveyors of blackened death metal, return with “Totenritual,” an album that seeks to solidify their position as one of the most uncompromising forces in the genre. Emerging from the shadows of the Austrian underground, the band has consistently delivered a brand of sonic brutality that eschews trends in favor of raw, unadulterated aggression. “Totenritual” is no exception, a meticulously crafted sonic assault that delves into themes of occultism, death, and the infernal. The production is thick and suffocating, allowing the intricate layers of venomous riffing and guttural vocalizations to seep into the listener’s very being. This is not an album for the faint of heart; it is a ritualistic descent into sonic darkness, demanding full immersion and unwavering attention.
Track Analysis:
“Baphomet” opens the album with a blast of chaotic energy, establishing a relentless pace that rarely falters. Helmuth’s signature guttural roar is immediately present, a primal force that drives the track forward. The guitar work is sharp and precise, weaving dissonant melodies through a foundation of crushing, downtuned riffing. “The Devil’s Son” continues this onslaught, featuring a more mid-paced, groovier section that showcases the band’s ability to craft impactful, headbanging passages amidst the relentless aggression. The interplay between the guitars is particularly noteworthy here, with intricate lead work dancing over a bedrock of sheer sonic weight. “Sanctus Asceticus” offers a slight shift in tempo, introducing a more atmospheric, almost brooding quality. The blast beats are still present, but they are employed with a greater sense of deliberate impact, creating moments of intense tension before erupting into full-blown ferocity. The vocals on this track are particularly venomous, spitting out blasphemous pronouncements with chilling clarity. “Totentanz – Dance Macabre” is a masterclass in controlled chaos. The drumming is a whirlwind of percussive fury, each hit landing with devastating precision. The riffs are jagged and unforgiving, creating a sense of unease and dread that permeates the entire track. “Sanity” introduces a more overtly melodic element, though it is still delivered with a venomous edge. The guitar solos are sharp and biting, adding a layer of technicality without sacrificing the album’s raw power. “The Eyes of Torment” is a brutal, no-holds-barred track. The tempo is blistering, and the riffs are designed to tear through flesh and bone. The vocal performance is particularly unhinged, a primal scream of pure rage. “Sanctified Blood” brings a slightly more traditional death metal feel, with a driving riff that is both memorable and crushing. The solo on this track is a shredding display of technical prowess, adding a welcome dynamic to the proceedings. “Vomit upon the Cross” is a sonic desecration, a furious and blasphemous anthem. The blast beats are relentless, and the riffing is designed to inflict maximum damage. The vocal delivery is particularly vile, a testament to Helmuth’s unwavering commitment to sonic extremity. “The Devil’s Prophecy” closes the album with a sense of finality and grim satisfaction. It is a powerful and impactful track, leaving the listener with a lingering sense of dread and the undeniable imprint of Belphegor’s sonic artistry.
Conclusion:
“Totenritual” is a formidable statement from Belphegor. It is an album that refuses to compromise, delivering a potent and unyielding brand of blackened death metal. The band has refined their sound, presenting a cohesive and devastating listening experience. From the oppressive production to the venomous vocalizations and intricate, aggressive riffing, every element of “Totenritual” is meticulously crafted to assault the senses. This is an album that demands repeat listens, revealing new layers of sonic malevolence with each immersion. Belphegor has once again proven their mastery of the dark arts of extreme metal.
Rating: 4.5 / 5
Highlight Track: Totentanz – Dance Macabre




