Nightwish – Human. II Nature

Nightwish – Human. II Nature

Origin : Finland

Genre : Symphonic Metal

Release : 2020 (Limited Edition – 3CD)

Album Info / Review

Intro:
Nightwish, the titans of symphonic metal, return with “Human. II Nature,” a sprawling double album that delves into the profound interconnectedness of humanity and the natural world. This ambitious undertaking is not merely a collection of songs, but a meticulously crafted sonic tapestry, weaving together orchestral grandeur, blistering metal riffs, and Tarja Turunen’s operatic prowess. From the outset, the album announces its thematic scope with an almost overwhelming sense of scale, inviting the listener on a journey through primal forests, cosmic expanses, and the very essence of our existence.

Track Analysis:
The album opens with “Shoemaker,” a track that immediately establishes the band’s signature sound, albeit with a heightened sense of urgency. The galloping rhythm section, driven by Kai Hahto’s precise drumming, propels forward alongside the soaring orchestral arrangements. Tarja’s vocals, a force of nature in themselves, navigate intricate melodies with breathtaking agility, her upper register piercing through the sonic landscape like a comet. “Shoemaker” is a potent declaration of intent, a powerful opening salvo that showcases Nightwish at their most commanding.

“Music” follows, a more introspective and melancholic piece. The acoustic guitar intro, reminiscent of folk ballads, gradually builds into a majestic crescendo. The interplay between the orchestral elements and the band’s heavier instrumentation is particularly noteworthy here, creating a dynamic ebb and flow that mirrors the emotional arc of the lyrics. The lyrical themes of music’s universal power are explored with a touching sincerity.

“Tribal” injects a dose of raw, primal energy. The tribalistic percussion, layered with guttural growls from guest vocalist Marko Hietala, creates an almost shamanistic atmosphere. This track is a visceral exploration of our ancient connection to the earth, a stark contrast to the more polished symphonies that often define Nightwish. The aggressive vocal delivery and driving riffs are a welcome injection of ferocity.

“Flora” and “Fauna” form a thematic suite, exploring the plant and animal kingdoms respectively. “Flora” is characterized by delicate, ethereal passages, with delicate piano melodies and flute passages painting vivid sonic pictures of blooming landscapes. “Fauna” shifts gears, introducing a more robust and dynamic feel, with sweeping orchestral passages that evoke the majesty of wild creatures. The seamless transitions between these two pieces highlight the album’s conceptual depth.

“The Wild and the Free” is an anthemic track that embodies the album’s spirit of liberation. The infectious chorus, delivered with powerful conviction by Tarja, is designed for stadium singalongs. The guitar solos, delivered with technical brilliance and emotional resonance, add another layer of excitement. This is Nightwish at their most accessible and uplifting.

“Everything’s Wrong” plunges into darker territories. The brooding atmosphere, punctuated by dissonant chords and aggressive vocalizations, reflects the album’s exploration of humanity’s destructive tendencies. The intricate instrumental passages, with their rapid-fire tempo changes and complex arrangements, showcase the band’s musicianship at its peak.

“Alpenglow” offers a moment of serene beauty. The acoustic instrumentation and gentle vocal delivery create a sense of peaceful contemplation. The track feels like a quiet moment of reflection amidst the album’s grander sonic pronouncements, a gentle reminder of the simple wonders of nature.

“The Islander” is a more straightforward rock-oriented track, but still infused with Nightwish’s signature symphonic flair. The driving rhythm and anthemic chorus make it a standout, showcasing the band’s ability to craft a powerful and memorable song without relying solely on orchestral embellishments.

“Last of the Wilds” is an epic journey through a desolate, untamed landscape. The folk-inspired melodies, combined with heavy guitar riffs and soaring vocals, create a sense of vastness and isolation. The track builds to a powerful climax, leaving the listener with a profound sense of awe.

“Human. II Nature.” the title track, is an ambitious and sprawling epic. It’s a multi-part composition that traverses various sonic landscapes, from delicate acoustic passages to thunderous orchestral movements. The lyrical themes of interconnectedness and the cyclical nature of life are explored with a profound depth. This is the album’s magnum opus, a testament to Nightwish’s unwavering commitment to artistic expression.

“The Greatest Show on Earth” is an extended, multi-faceted narrative that concludes the album with a bang. This track is a monumental achievement, weaving together spoken word passages, operatic vocals, and blistering metal. It’s a philosophical exploration of life, evolution, and our place in the universe, delivered with the full force of Nightwish’s symphonic power. The sheer scope and ambition of this track are staggering.

Conclusion:
“Human. II Nature.” is a monumental achievement in the symphonic metal genre. Nightwish has delivered a double album that is not only thematically cohesive but also musically diverse and incredibly engaging. The band’s mastery of orchestral arrangements, combined with their heavy instrumentation and Tarja Turunen’s unparalleled vocal talent, creates a listening experience that is both epic and deeply personal. This is an album that demands multiple listens to fully appreciate its intricate details and profound messages.

Rating: 9.5/10

Highlight Track: The Greatest Show on Earth

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