Sirenia – At Sixes And Sevens - Album Streaming & Download

Origin : Norway

Genre : Symphonic Metal

Release : 2002

Album Info / Review

Intro:
Sirenia, a band that has weathered numerous sonic shifts and lineup changes since its inception, returns with “At Sixes And Sevens.” This 2004 offering, their sophomore full-length, finds the Norwegian-Spanish symphonic gothic metal outfit firmly entrenched in a sound that blends melancholic vocal melodies, robust metal instrumentation, and the operatic grandeur that has become their hallmark. While not the groundbreaking debut, “At Sixes And Sevens” solidifies Sirenia’s position within the genre, presenting a collection of tracks that are both accessible and imbued with a palpable sense of dark romance. The production is polished, allowing each instrumental layer to breathe, from Morten Veland’s signature guttural growls to the soaring female soprano.

Track Analysis:
“Lithium And Dying” opens the album with a surprisingly upbeat tempo, driven by a galloping drum beat and a melodic guitar riff that hints at a more power metal influence than typically associated with Sirenia. The contrast between the clean vocals and the harsh growls is immediately established, creating a dynamic tension. “Sister of the Dawn” offers a more traditional Sirenia experience, featuring a prominent symphonic arrangement that swells and recedes, cradling Ailyn’s (then Moniu) ethereal soprano. The guitar work here is more restrained, serving as a foundation for the vocal interplay. “The Seer” delves deeper into atmospheric territory, with a slower, more brooding tempo and a prominent keyboard melody that evokes images of mist-shrouded landscapes. The growls are more menacing, and the clean vocals possess a fragile vulnerability.

“The Enigma of the Deep” is a standout for its sheer epic scope. It builds slowly, starting with a haunting piano intro before erupting into a powerful chorus. The symphonic elements are interwoven seamlessly with the heavy guitars, creating a rich tapestry of sound. The vocal performance from Moniu is particularly impressive, showcasing her range and emotional depth. “Shadows of the Past” returns to a more mid-paced, driving rhythm. The guitar solos are melodic and expressive, and the interplay between the clean and harsh vocals is expertly handled.

“The End of It All” presents a more introspective side of the band. The acoustic guitar intro is delicate and melancholic, leading into a track that is less reliant on overt symphonic bombast and more on raw emotional delivery. The growls are particularly guttural and pained, while the clean vocals are tinged with a profound sadness. “Seven Deadly Sins” picks up the pace again, featuring a more aggressive vocal delivery from Veland and a more prominent, driving bassline. The symphonic elements are present but less dominant, allowing the metal core of the song to shine through.

“Pride of the Serpent” is characterized by its infectious main riff and a memorable chorus. It’s a track that’s designed to lodge itself in the listener’s memory, balancing accessibility with the band’s signature dark aesthetic. “Departing Light” offers a more subdued and reflective conclusion. The piano motif returns, creating a sense of closure and leaving the listener with a lingering sense of melancholy. The final moments are marked by a fading keyboard melody and a sense of quiet resignation.

Conclusion:
“At Sixes And Sevens” is a testament to Sirenia’s ability to craft compelling symphonic gothic metal. While it may not reinvent the wheel, it refines their established sound with greater confidence and a more cohesive artistic vision. The album showcases a strong balance between aggressive metal elements and operatic vocal performances, supported by intricate symphonic arrangements. The production is clear and allows for the nuanced interplay of instruments and vocals. It’s an album that rewards repeated listens, revealing new layers of melody and emotion with each immersion. For fans of the genre, “At Sixes And Sevens” represents a significant and enjoyable chapter in Sirenia’s discography.